Tattoo Tribe Tattoo Tribe Newsletter
Editor's note

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Greetings Tattoo Tribe Members,

Welcome to the ninth edition of the Tattoo Tribe Newsletter. We now have over 7100 members!

So many people have requested promotional items for The Vanishing Tattoo over the past few years, we thought there must be something to it!

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This is the initial offering of tattoo and Vanishing Tattoo related items, and they will be added to extensively in the weeks and months to come.  If there's something you'd like and you don't see it or can't find it, let us know!  We might be able to do something about it!

"Mother's Day is just around the corner. Is your Mom a "Tattoo Vixen"? Find the perfect Mother's Day gift this year for the Mother, Grandmother, or significant lady with ink in your life at Tattoo Tribe! Gift purchases ordered before May 2nd will be delivered in time for Mother's Day."

Your editor,
Doug Cook


 
Vince Hemingson
Vince Hemingson Tattoo expert or media whore...

One of the results of doing five years of research into the history of tattooing and having the Internet's largest and most popular website about tattoos is that the outside world starts to begin to think of you as a tattoo "expert". This of course tends to come as a complete and utter shock to me, but is a phenomenon not without it's benefits, besides impressing cute girls at cocktail parties with obscure tattoo trivia that is.

The power of the Internet's Search Engines is truly something to behold. If you were to enter "celebrity tattoos" or the word "tattoo" into most search engines, chances are you'll see our smiling faces at The Vanishing Tattoo first. Over the past three years I have become quite blasé about fielding the inquiries of numerous journalists and other members of the media. As the inimitable Mr. Thomas Lockhart would delicately put it, "Vinnie is the biggest media whore I ever met." My spin on it is that I'm just trying to inform the world about our documentary film.

Long story short, in January of this year I was asked by the Teamster's to testify as an "expert" tattoo witness in a Labour Arbitration case they had with UPS. The Teamster's were fighting the firing of a driver who was let go for not covering up a tribal tattoo on his forearm in the ninety degree heat and humidity of a Washington, DC summer. The lawyers for UPS tried to have my testimony excluded but the Arbitrator in the case ruled that I met the standards of qualification as an "expert" witness. The case required me to expound at some length on the history and cultural status of tattooing in North America and my opinion about the community standards of acceptance regarding tattoos. I'll let you know how the case turned out in a later Newsletter.

This brings us to Mike Tyson. Mike Tyson created something of a furor when, not ten days before his fight with the "Black Rhino" Etienne, he decided to get a facial tattoo. Within 24 hours I fielded calls from half a dozen different reporters all asking what it was, what it meant and whether or not it would effect Tyson's ability to box. I was astonished not so much by the intensity of interest in the tattoo, Tyson after all is Tyson, but the incredible amount of information that was not only wrong, but absolutely ludicrous.

So here was my take on it --  

Mike Tyson's Facial Tattoo -- A Maori Inspiration? By Vince Hemingson

African Tribal Tattoo?
It's been widely reported in the media that Mike Tyson's recent facial tattoo is an "African Tribal Tattoo". Tyson's tattoo is in no way, shape or form an "African Tribal Tattoo". It's a straightforward bold graphic design tattoo done in black ink that is widely known within the tattooing community as belonging to the "tribal tattoo genre", which is a heavily modified western tattoo style derived from the traditional tattooing normally associated with the peoples of Borneo, Polynesian and Micronesia. Tyson's tattoo is an excellent example of the style of "tribal tattooing" that was revolutionized in it's interpretation by tattoo artists like Leo Zuleta, and others, starting some two decades ago. Tyson's tattoo is not even remotely similar to the traditional tattoos of African tribal peoples and has no specific meaning whatsoever beyond it's meaning to Tyson himself.

Indeed Mike Tyson's new "tribal tattoo" appears to be influenced by the bold lines of the tattoos of the ethnic people of Borneo and by a very common design motif prominent in the tattooing or "moko" of the Maori people of New Zealand. Within Tyson's facial tattoo it is possible to discern two spiral patterns very similar to the fern frond, or koru, that is a repeating motif common to Maori art, including tattooing or "moko", painting and carving, in both wood, bone and greenstone. A traditional Maori tattoo artist -- the tohunga ta moko -- could produce two different types of pattern: that based on a pigmented line, and another, the puhoro, based on darkening the background and leaving the pattern un-pigmented as clear skin.

Tyson's facial "tribal tattoo" generally follows the Maori rules laid out for facial "moko" or tattoos. Tyson's tattoo follows the contours of his face, enhancing the contours of his face and tracing the natural "geography", for example lines along the brow ridge; the major design motifs are symmetrically placed within opposed design fields: lines are used in certain areas where spirals are not used; two types of spiral are used -- the koru, which is not rolled up and has a "clubbed" end, and the rolled spiral. (Ta Moko: The Art of Maori Tattoo, By D.R.Simmons) Tyson's tattoo appears to be based around a pair of puhoro koru.

Few tattoo stigmas left to be broken
Tyson's tattoo itself appears to be well designed and executed. It's an excellent example of a modern tattoo influenced by the designs of traditional tribal tattooing. In fact, as tattoos go, and regardless of how you feel about them, it's a great tattoo! Despite the great acceptance that tattoos have recently enjoyed within mainstream popular culture, it's interesting to see the great furor that Tyson created in the media by getting a facial tattoo. Within mainstream pop culture it turns out, there are still a few tattoo stigmas left to be broken. Mike Tyson has pushed the celebrity tattoo envelope in a completely new direction.

PATRICIA STEUR TRIBAL PHOTOS GALLERY - photos of Maori tattoos.

Among the many celebrities who are prominently tattooed, Mike Tyson's tattoos are particularly interesting. He has been very articulate about the symbolism and what he proclaims are the profoundly personal nature of his tattoos, featuring among others Arthur Ashe, Che Guevera and Mao Zedong. Tyson has stated that his tattoos are powerful personal totems. Tyson's most recent facial tattoo may be an extraordinary attempt to perform a very public ritual act. Almost all tattoos in traditional tribal cultures are performed as part of a larger elaborate rite of passage between adolescence and adulthood. Tyson may be trying to pull on his "warrior's" face by getting tattooed in such a visible way.

Tyson had previously talked about getting a facial tattoo if he won his title fight with Lewis. This is something he has been thinking about a long time. I don't think it was an impulse at all. I think Mike Tyson's facial tattoo was an attempt for him to say, "This is what I'm all about. I am a man's man. I am a fighter and a warrior".

Click here: USATODAY.com - Tyson shows good-guy side with kids

"Near the end of the session, Tyson was asked if he planned to do anything differently, if he captured the coveted mantle for a third time.

"If I win the title, I might tattoo my face," he said.

I think he was joking, but I'm not sure."

It turns out that Tyson wasn't joking at all.

Vanishing Tattoo UPDATE

The Vanishing Tattoo has been delivered to National Geographic International and they have told us it will be airing some time in the Second Quarter (April, May, June) of 2004.

Tribal Tattoo Trivia

The Japanese tattoo

Haniwa, small clay figurines, some bearing facial tattoos, have been found in tombs that date from the fourth or fifth century. It is thought that the tattoo signified social rank or warded off evil spirits and wild animals. Over time, the custom faded and it became the fate of criminals, in the old Chinese manner, to be tattooed on the face as a form of punishment. It has been suggested that, in a society where ostracism is the most severe punishment, tattooing became a decorative art as people sought to hide these incriminating symbols of shame within more elaborate shapes and patterns.

 

Love and religion seem to have been significant inspiration for early Japanese tattoos. Lovers, courtesans and lowly prostitutes would often have the name of a lover written on the inner arm, with the kanji for inochi (life), symbolizing a pledge of eternal love, added. Edo period (1603-1867) literature abounds with references to pledge tattoos, or irebokuro as they were known.

 

A singular aspect of the Japanese tattoo is that, rather than being almost exclusively a mark of punishment or an element of ritual, it became an immensely popular fashion statement among working-class urbanites of the late 18th century to mid-19th century, despite a ban on tattoos from 1789 to 1801. That was when the tattoo found favor among the growing legions of laborers, rickshaw pullers, criminals, firefighters, artisans and women of the pleasure quarters. The designs flowered from simple messages, invocation or pledge into fuller pictorial forms capable of integrating complex secondary design motifs into a grander overall concept. 

Abstracted from The indelible art of the tattoo, Stephen Mansfield, Japan Quarterly, 1/1/99

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